![]() I’ve excluded grotesque manipulation tutorials – I hope you don’t mind. In this article, you will find almost every top-notch Photoshop tutorial regarding photo manipulations that was published over the last two to three years. Though, for that to happen you must first learn how to do certain techniques with the use of a photo manipulation tutorial. Photo manipulations are attractive to people who use Photoshop for the first time and it’s exciting to see what great things you can do when using a photo manipulation ideas. ![]() From funny photoshop ideas to surreal photoshop imagery, there is something for everyone. I have been making roundups of weekly or monthly Photoshop manipulation tutorials for a lot of time.ĭuring this time I had the chance to see a lot of interesting tutorials from which I can choose the best photo manipulation tutorials to help all the Photoshop newbies out there who want to learn how to use this wonderful program. South African Bee Journal, 59(2), 36–41.Ready to see some photo manipulation tutorials for Photoshop? There are plenty in this article. Bees and honey in the prehistoric rock art of southern Africa. Rock paintings in southern Africa showing bees and honey hunting. Felsbilder in Südwest-Afrika, Teil III: Die Malereien. Ndedema: A documentation of the rock paintings of the Ndedema Gorge. Mthatha: Ninham Shand Consulting (Pty) Ltd. ![]() Heritage impact assessment: The proposed raising of the Clanwilliam Dam wall, Olifants River Valley, Clanwilliam District. Cambridge Archaeological Journal, 16(1), 53–71. Iconography of termites’ nests and termites: Symbolic nuances of formlings in southern African San rock art. Journal of Social Archaeology, 4(2), 181–199. Cultured representation: Understanding ‘formlings’, an enigmatic motif in the rock-art of Zimbabwe. Research into the formlings in the rock art of Zimbabwe. Annals of the Natal Museum, 25(1), 67–82. Distribution of painting themes in the Natal Drakensberg. Mgoduyanuka: Terminal Iron Age settlement in the Natal grasslands. Images of power: Understanding Bushman rock art. Truth in error: An enigmatic 19 th century San comment on southern African rock paintings of ‘lions’ and ‘shields’. Myth and meaning: San-Bushman folklore in global context. The imagistic web of San myth, art and landscape. South African Archaeological Society Goodwin Series, 4, 3–13. Introductory essay: Science and rock art. South African Archaeological Bulletin, 36, 5–13. The thin red line: Southern San notions and rock paintings of supernatural potency. Digital image enhancement with Dstretch: Is complexity always necessary for efficiency? Digital Applications in Archaeology and Cultural Heritage, 2, 55–67. Digital imaging and the revelation of ‘hidden’ rock art: Vaalekop Shelter, KwaZulu-Natal. ![]() Azania: Archaeological Research in Africa, 50(3), 343–371. Bees, honey and brood: Southern African hunter-gatherer paintings of bees and bees’ nests, uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa. Allusions to agriculturist rituals in hunter-gatherer rock art? eMkhobeni Shelter, northern Ukhahlamba-Drakensberg, KwaZulu-Natal, South Africa. Excavations at the walled Early Iron Age site in Moor Park near Estcourt, Natal. Il importe néanmoins de garder à l’esprit que ces avancées technologiques n’éliminent ni la dimension subjective de l’analyse et de l’interprétation de l’art rupestre, ni la nécessité de disposer d’un cadre théorique permettant la compréhension de ces images.ĭavies, O. Les résultats présentés montrent toute l’utilité de techniquesassez simples d’usage et qui peuvent être mises en œuvre pour l’étude de l’art rupestre ailleurs dans le monde. Nous étudierons ici trois exemples de peintures rupestres de chasseurs-cueilleurs localisées dans des sites sud-africains, où le recours aux logiciels Adobe Lightroom, Adobe Photoshop et DStretch a permis de créer des «tracés» digitaux. Il existe en effet une grande palette d’outils numériques adaptés à la recherche et les logiciels photographiques ont ainsi considérablement accru les bases de données susceptibles d’être analysées. Les technologies de traitement des images numériques, appliquées aux photographies d’art rupestre, offrent aux chercheurs de nouveaux moyens de voir ce qui, auparavant, était invisible ou difficile à identifier à l’œil nu.
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